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Showing posts with label GIGI GRYCE. Show all posts
Showing posts with label GIGI GRYCE. Show all posts

1953 - October 10

Gigi Gryce - Clifford Brown Octet – October 10 1953

 

Leased from Vogue Records


Notes etc. 

Some discographies put Evening in Paris on October 11 1953 




Session Information 

Clifford Brown, trumpet; Jimmy Cleveland, trombone; Gigi Gryce, alto sax; Clifford Solomon, tenor sax; Henri Renaud, piano; Jimmy Gourley, guitar; Pierre Michelot, bass; Jean-Louis Viale, drums. 

Paris, France, October 10, 1953


Venez Donc Chez Moi (as Chez Moi), Blue Note BLP 5050 

Hello (as Hellow), Blue Note BLP 5050 


Art Farmer, trumpet; Jimmy Cleveland, trombone; Anthony Ortega, alto sax; Henri Renaud, piano; Marcel Dutrieux, bass; Jean-Louis Viale, drums. 

(tk.1), Serenade To Sonny, Blue Note 5051 (not released) 


Gigi Gryce, alto sax; Quincy Jones, piano; Jimmy Gourley, guitar; Marcel Dutrieux, bass; Jean-Louis Viale, drums. (poss. October 11 1953) 

(tk.1), Evening In Paris, Blue Note 5051 (not released) 


Clifford Brown, trumpet; Jimmy Cleveland, trombone; Gigi Gryce, Anthony Ortega, alto sax; Clifford Solomon, tenor sax; William Boucaya, baritone sax; Quincy Jones, piano; Marcel Dutrieux, bass; Jean-Louis Viale, drums. (poss. October 11 1953) 

(tk.1), All Weird, Blue Note BLP 5050 

1953 - October 9

Gigi Gryce And His Orchestra – October 9 1953

 

Leased from Vogue Records


Down Beat 20 April 1955 Volume 22 Issue 8 

Gigi Gryce and his Big Band is the first volume compiled from a session made in Paris in 1953 when Gigi and several of his cohorts in the set were members of the Hampton band. Solos are taken by Clifford Brown, Art Farmer, James Cleveland (trombone), Gigi (alto), French pianist Henri Renaud, Anthony Ortega, and Clifford Solomon, with emphasis on Brown and Gryce. Rest of the personnel is composed of other Hampton sidemen and some French musicians. 



The arrangements (
presumably by Gigi) sound as if they were made in a hurry. For all musical purposes, the big band framework adds nothing and is, in fact, almost always too heavily overbearing. But some of the solo work (particularly Brown and the rough-toned but passionate Gryce) is good. This would have been a much better session with many less men. Gigi and Quincy Jones wrote three originals apiece. All six are underdeveloped structurally. Recording quality is mediocre. Just barely three. (Blue Note BLP 5049)
 





Session Information 

Clifford Brown, Art Farmer, Quincy Jones, Walter Williams, trumpet; Jimmy Cleveland, Al Hayse as Al Hayes, Benny Vasseur, trombone; Gigi Gryce, Anthony Ortega, alto sax; Andre Dabonneville, Clifford Solomon, tenor sax; William Boucaya, baritone sax; Henri Renaud, piano; Pierre Michelot, bass; Jean-Louis Viale, drums. 

Paris, France, October 9, 1953 


(tk.1) Quick Step, Blue Note BLP 5049 

(tk.2) Quick Step 

(tk.3) Quick Step 

(tk.1) Bum's Rush, Blue Note BLP 5049  

(tk.2) Bum's Rush 

(tk.3) Bum's Rush 

1956 - March 12

Kenny Burrell – March 12 19 56     Leonard Feather: Kenny Burrell Volume 2 Liner Notes   KENNY BURRELL is a guitarist summa cum plectrum. H...